In this workshop, we will explore the different processes of construction (rituals), their evolution and their execution from the sign to the expressive lettering. We will also learn about the tool and explore its scope, the consecutive rhythmic structure between the line, the mark and the texture. Special attention will be given to the movement…

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Since we started this programme six years ago, we have implemented a different approach to drawing through micro-workshops, with a great diversity of themes to facilitate more comprehensive learning of drawing as compared to the classic succession of exercises. Objectives: To develop a broad knowledge of drawing, to learn to see, think of drawing as…

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WORKSHOP OVERVIEW/p> Cartapesta is the technique in which strips or pieces of paper are intertwined in several layers, with the use of an adhesive, to obtain a hard and strong material once it has dried. Papier-mâché, on the other hand, means mashed paper, this paper paste or pulp is also combined with an adhesive to…

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Photogravure, as a technical intaglio printmaking process, allows us to transfer an image onto the photopolymer film; it can be a drawing, photograph, gouache or a digitally processed image. The transfer will be carried out by exposing, developing and adhering this film so that it can later be used as an engraved matrix for printing…

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This course is designed for understanding the technical intricacies of transferring a digital image to a physical surface so that it can be inked and printed. We will learn how to create different types of film positives (digital, manual and analogues), the procedure for their exposure onto the photopolymer film and the process to get…

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El taller plantea el aprendizaje del tratamiento de la imagen digital para poder transferirla a un soporte físico, susceptible de ser entintado y estampado. Aprenderemos cómo generar diferentes tipos de positivos, el procedimiento para su transferencia a la película de fotopolímero y el proceso para conseguir la matriz acabada para la estampación final. Los participantes…

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Pablo Rodríguez Guy. ‘El juego de la-vida I’. Calco/relieve. 2006 En las últimas décadas del siglo XIX se introducen en el grabado las primeras experiencias que incorporan el relieve en la obra gráfica. Serán las vanguardias históricas de principios de siglo pasado las que promueven la materia como argumento de la obra, influyendo e impulsando…

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El Taller tendrá como objetivo básico hacer un repaso de las diferentes técnicas del grabado calcográfico y la combinación de las mismas, estando abiertos durante todo el proceso de trabajo a la experimentación. En los procedimientos indirectos trataremos las posibilidades gráficas del aguafuerte de línea y de relieve, las variedades del aguatinta y el barniz…

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