WORKSHOP ON INITIATION AND EXPERIMENTATION IN INTAGLIO ENGRAVING

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Date:
From 22 to 26 July 2019
Hours:
From 10:30 to 14:00 and from 18:30 to 20:30. (Friday until 14h)
Participant profile:
Artists, students, teachers and anyone interested in learning printmaking techniques.
No. of seats:
Maximum 10
Registration:
300€. Includes the necessary materials for the development of the workshop, each participant will have 3 zinc plates, one of 25 x 16.5 cm and two of 16.5 x 12.5 cm.
Lodging:
Rural house Cortijo Mata del Esparragal. Entrance on Sunday 21st from 19:00 h until Friday 26th (5 nights 75€). Homemade lunch at noon in Bar Balalla (9 € menu). Breakfast at the accommodation and dinner to be decided between all of us.
Request:
Applications may be sent to galeriatallergravura@gmail.com , con los datos del solicitante y breve presentación. Más información telf. 952 21 01 41

Need more information?

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More information: Tel. 952 21 01 41

CURSO-INICIACION-JULIO-2019

The basic aim of the workshop will be to review the different techniques of intaglio engraving and their combination, being open to experimentation throughout the work process.

In the indirect procedures we will deal with the graphic possibilities of line and relief etching, the varieties of aquatint and soft varnish. We will also practise with the different alternatives in direct incision, perforations, die-cutting or cutting and reconstruction of the matrix.

In printing, we will apply different forms of inking, ways of reporting images and collage with one or several matrices.

The interests of each participant will be taken into account, encouraging the adaptation of the different techniques to their own work.

1. PROGRAMME

  1. PROCESSES
  • The plate. Polishing and bevelling
  • Tools and their characteristics
  • Line etching
  • Soft base varnish. Texture registration
  • Box and manual
  • Sugar aquatint
  • Drypoint. Characteristics
  • Referential method of visualisation during the process.
  • The squeegee. Correction and elimination of areas to be agreed
  • The berceau. Tonal gradation, black way
  • Other alternative methods and tools in direct processing

2. LA ESTAMPACIÓN

  • . Printing methods
  • . Image report and collage
  • . The paper. Types of paper. The grammage
  • . Drying, cleaning and conservation of the finished print.
  • . Signature and numbering
  1. SHARING. DOCUMENTATION

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