I discovered cinema in my neighbourhood, specifically in the Monumental cinema, where the session was continuous and we spent our lives from 4 in the afternoon until 9 or 10 at night. I watched the films over and over again. There I met actors and actresses in unforgettable films that took me to cities and…

  https://vimeo.com/197066347?ref=fb-share&1

In this exhibition at the Gravura workshop I present a series of small-format works in which I continue to investigate the influence that scale can have on the viewer’s perception. They are not models, as they have sometimes been called, although I have used some of them as models to take them to a dimension…

  Let’s wind up the dream of balance and its game, that it weaves in its vertigoes leaning out into the void the mischievous fishing of an Orwellian and Hamelinian elf, carrying on his shoulders, without ceasing to whistle his adventure, the child bee in a weightless fiction of childhood and chalk, the acrobat drying…

  Pedro Maruna Catalogue    

Gravura Workshop funds Funds 04

Until the autumn of 2016 my work was an immersion in the microcosm, a mineral world where solid and aquatic matter was reflected, a refined work conducive to contemplation and meditation, where light revealed a dominant colour and its contours, but one day I decided to break this mould by returning to a technique I…

      PROJECT FOR PARTICIPATION IN MaF MÁLAGA DE FESTIVAL 2018   The starting point for this project is the idea of recovering the musical work of Fanny Mendelson (‘the silenced sister’), a classical composer also known as Fanny Hensel. Both she and other women of her time were forbidden to compose, a social…

5th International Meeting in Belgrade

  A STORY ABOUT CINEMA / EVA POYATO By Marta Zafrilla   Once upon a time, there was a writer who told stories with colours instead of words. On the nights of the waning moon, just on the verge of red and blue, princes without kingdoms emerged from Eva Poyato’s paintings in search of an…